Difference between revisions of "Complexion"

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==Etymology==
 
==Etymology==
 
[https://nordan.daynal.org/wiki/index.php?title=English#ca._1100-1500_.09THE_MIDDLE_ENGLISH_PERIOD Middle English], from Anglo-French, from Medieval Latin complexion-, complexio, from [[Latin]], combination, from complecti
 
[https://nordan.daynal.org/wiki/index.php?title=English#ca._1100-1500_.09THE_MIDDLE_ENGLISH_PERIOD Middle English], from Anglo-French, from Medieval Latin complexion-, complexio, from [[Latin]], combination, from complecti
*Date: [http://www.wikipedia.org/wiki/14th_Century 14th century]
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*Date: [https://www.wikipedia.org/wiki/14th_Century 14th century]
 
==Definitions==
 
==Definitions==
 
*1 : the combination of the hot, cold, moist, and dry [[qualities]] held in medieval [[physiology]] to determine the quality of a [[body]]
 
*1 : the combination of the hot, cold, moist, and dry [[qualities]] held in medieval [[physiology]] to determine the quality of a [[body]]
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Thus there are many [[references]] which filter through into [[Shakespeare]]'s plays and sonnets derived from this [[body]] of [[thought]]; particularly in the description of important characters, and to the [[power]] of [[music]] above all to 'charm the savage breast', adjust the elements, and restore the [[equilibrium]] and [[balance]], the '[[harmony]]' of the [[soul]]: his characters call for music and are spellbound or restored by it, and in elevated [[mood]], may hear it in the air, or sense its immortal harmonies everywhere.
 
Thus there are many [[references]] which filter through into [[Shakespeare]]'s plays and sonnets derived from this [[body]] of [[thought]]; particularly in the description of important characters, and to the [[power]] of [[music]] above all to 'charm the savage breast', adjust the elements, and restore the [[equilibrium]] and [[balance]], the '[[harmony]]' of the [[soul]]: his characters call for music and are spellbound or restored by it, and in elevated [[mood]], may hear it in the air, or sense its immortal harmonies everywhere.
  
Many surnames arose out of the [[existence]] of a complexion whose particularities may have differed from that of the village or town’s [[population]], and thus attracted enough notice to warrant a nickname. The Irish surname Rogan (from Ruadhán) referred to a [[person]] with red hair, or a ruddy complexion. The Scottish surname Bain (from bàn) referred to a fair-haired person, while Dunn (from donn) implies brown/dark hair, and Duff (from dubh) implies black hair. The [[English]] surname Brown, an extremely common surname in the English-speaking world, was originally applied to anyone with a slightly darker complexion, in the same [[manner]] that the surname White was applied to anyone with a particularly light complexion. The surname Gough is derived from the [http://en.wikipedia.org/wiki/Welsh_language Welsh] goch or coch, meaning "red" or "ruddy." [http://en.wikipedia.org/wiki/William_II_of_England King William II] of England was called William Rufus ("the Red") because of his ruddy complexion. [http://en.wikipedia.org/wiki/Ludovico_il_Moro Ludovico II] Moro ("the Moor") was called as such because of his swarthy complexion.
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Many surnames arose out of the [[existence]] of a complexion whose particularities may have differed from that of the village or town’s [[population]], and thus attracted enough notice to warrant a nickname. The Irish surname Rogan (from Ruadhán) referred to a [[person]] with red hair, or a ruddy complexion. The Scottish surname Bain (from bàn) referred to a fair-haired person, while Dunn (from donn) implies brown/dark hair, and Duff (from dubh) implies black hair. The [[English]] surname Brown, an extremely common surname in the English-speaking world, was originally applied to anyone with a slightly darker complexion, in the same [[manner]] that the surname White was applied to anyone with a particularly light complexion. The surname Gough is derived from the [https://en.wikipedia.org/wiki/Welsh_language Welsh] goch or coch, meaning "red" or "ruddy." [https://en.wikipedia.org/wiki/William_II_of_England King William II] of England was called William Rufus ("the Red") because of his ruddy complexion. [https://en.wikipedia.org/wiki/Ludovico_il_Moro Ludovico II] Moro ("the Moor") was called as such because of his swarthy complexion.
  
 
[[Category: Sociology]]
 
[[Category: Sociology]]
 
[[Category: Languages and Literature]]
 
[[Category: Languages and Literature]]

Latest revision as of 23:45, 12 December 2020

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Complexion2.jpg

Etymology

Middle English, from Anglo-French, from Medieval Latin complexion-, complexio, from Latin, combination, from complecti

Definitions

b : a complex of attitudes and inclinations
  • 3 : the hue or appearance of the skin and especially of the face <a dark complexion>
  • 4 : overall aspect or character <by changing the complexion of the legislative branch — Trevor Armbrister>

Description

Complexion refers to the natural color, texture, and appearance of the skin, especially that of the face. The word is derived from the Late Latin complexi, which initially referred in general terms to a combination of things, and later in physiological terms, to the balance of humors.

Complexion, in its original sense, engaged the attention of philosophers and musical theorists from ancient times right through to the Renaissance and beyond, in relation to the most favourable balancing of the 'qualities' or elements in order to heal and invigorate the soul : from Pythagoras and the musical theorist Aristoxenus, through Plato's dialogue Phaedo, Aristotle, Saint Augustine in his thesis on music, and Aquinas; and in the Florentine Renaissance, Marsilio Ficino in his work on the immortality of the soul, the Theologia Platonica.

Thus there are many references which filter through into Shakespeare's plays and sonnets derived from this body of thought; particularly in the description of important characters, and to the power of music above all to 'charm the savage breast', adjust the elements, and restore the equilibrium and balance, the 'harmony' of the soul: his characters call for music and are spellbound or restored by it, and in elevated mood, may hear it in the air, or sense its immortal harmonies everywhere.

Many surnames arose out of the existence of a complexion whose particularities may have differed from that of the village or town’s population, and thus attracted enough notice to warrant a nickname. The Irish surname Rogan (from Ruadhán) referred to a person with red hair, or a ruddy complexion. The Scottish surname Bain (from bàn) referred to a fair-haired person, while Dunn (from donn) implies brown/dark hair, and Duff (from dubh) implies black hair. The English surname Brown, an extremely common surname in the English-speaking world, was originally applied to anyone with a slightly darker complexion, in the same manner that the surname White was applied to anyone with a particularly light complexion. The surname Gough is derived from the Welsh goch or coch, meaning "red" or "ruddy." King William II of England was called William Rufus ("the Red") because of his ruddy complexion. Ludovico II Moro ("the Moor") was called as such because of his swarthy complexion.